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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 5, 2011 | Sotheby's | New York | 19th Century European Art including an Important Collection of Sculpture | 72 | $****** - ****** | Passing Days |
paintings
38.1 x 111.8 cm (15 x 44.02 in)
oil on panel
with an old paper label inscribed Passing days/ by John Strudwick/ Painted in 1878 on the reverse
William Imrie, Holmstead, Mossley Hill, Liverpool (in 1897)
Hon. Christopher Lennox-Boyd, Lord Lambton (and sold: Christie's, London, July 29, 1977, lot 88, illustrated)
Sale: Sotheby's, London, November 10, 1981, lot 39, illustrated
Christopher Wood, London
Acquired from the above
Henry Blackburn, Grosvenor Notes, London, May 1878, p. 41; Frederick Wedmore, "Some Tendancies in Recent Painting," Temple Bar, A London Magazine, vol. LIII, May-August 1878, pp. 340-1; George Bernard Shaw, "J. M. Strudwick," Art Journal, 1891, pp. 97, 101, illustrated; Joseph A. Kestner, Mythology and Misogyny, The Social Discourse of Nineteenth-Century British Classical Painting, Madison, Wisconsin, 1989, pp. 109-10; Steven Kolsteren, "The Pre-Raphaelite Art of John Melhuish Strudwick (1849-1937)," The Journal of Pre-Raphaelite and Aesthetic Studies, Fall 1988, pp.4, 6, 11, illustrated fig. 9; John Christian, The Last Romantics, exh. cat., Barbican Art Gallery, London, 1989, p. 94, mentioned in the catalogue entry for no. 47; Susan P. Casteras, "Burne Jones and the Pre-Raphaelite Circle at the Palace of the Aesthetes," The Grosvenor Gallery, A Palace of Art in Victorian England, Yale, 1996, p. 85 ; Colleen Denney, At the Temple of Art, The Grosvenor Gallery, 1877-1890, Cranbury, New Jersey, 2000, p. 94
